Collection › The Lutheran Pioneer (St. Louis) › Vol. 54 (1932) › Page 57

The Lutheran Pioneer St. Louis — 1932, Page 57

front matter 1 Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 78 Page 79 Page 80 Sheet 84 Page 82 Sheet 86 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Sheet 98 Page 96 Sheet 100 Page 98 Page 99 Page 100 Page 101 Page 102 Page 103 Page 104 Page 105 Page 106 Page 107 Page 108 Page 109 Page 110 Page 111 Page 112 Sheet 116 Sheet 117 Page 115 Page 116 Page 117 Sheet 121 Page 119 Sheet 123 Page 121 Sheet 125 Page 123 Page 124 Sheet 128 Page 126 Sheet 130 Page 128 Sheet 132 Page 130 Page 131 Page 132 Page 133 Page 134 Page 135 Page 136 Page 137 Page 138 Page 139 Page 140 Page 141 Page 142 Page 143 Page 144 Sheet 148 Page 146 Page 147 Page 148 Page 149 Page 150 Sheet 154 Sheet 155 Page 153 Page 154 Sheet 158 Page 156 Page 157 Page 158 Page 159 Page 160 Sheet 164 Sheet 165 Page 163 Sheet 167 Page 165 Page 166 Page 167 Page 168 Sheet 172 Page 170 Page 171 Page 172 Page 173 Page 174 Page 175 Sheet 179 Sheet 180 Sheet 181 Sheet 182 Page 180 Sheet 184 Page 182 Sheet 186 Page 184 Page 185 Page 186 Page 187 Page 188 Page 189 Page 190 Sheet 194 Page 192

Concordia Seminary Library, St. Louis (scholar.csl.edu/lutheran_pioneer/54)

⤓ Download page image (full resolution)

Transcription machine transcription, uncorrected

⤓ Download .txt · copy text

THE LUTHERAN PIONEER

A Picturesque Sight.

“The first part of each procession is very pic-
turesque, as it is made up of Indian musicians on
camels and horses decked out in gay trappings,
gorgeous palanquins, priests in saffron robes, and
attendants carrying bright-colored silk banners,
gold umbrellas, and other emblems of royalty. All
of the display is only the prelude to the real pro-
cession, which, although most sacred to the Hindu
people, is disgusting beyond words. It consists of
a long double file of Digambaris, their naked bodies
smeared with dust, ‘ashes, and sand. Their long,
filthy, matted hair either hangs disheveled about
them or is piled high on their heads in a tangled

Disgusting Idolatry.

“As the procession moves by, the people pros-
trate themselves before these men, who are to them
the most sacred objects of worship; and when the
last Saddhu has passed, the crowd rushes out into
the dust to pick up the dust which has been touched
by the holy feet. They press this dust to their fore-
heads and lips, and some go even so far as to
swallow it.

Mad Frenzy of the Fakirs.

“When the fakirs reach the bathing ghat, they
rush into the river in a mad frenzy, leaping, shout-
ing, and clapping their hands. They then make
their offerings of milk, ghee, flowers, and money

Hindu

mass. On their arms, faces, and chests are painted
the signs of their castes; about their necks are
hanged garlands of faded marigolds and jessamines,
also the rosaries, by which a fakir or a priest can
always be distinguished, as only they are allowed
to wear them. As they stalk along in apparent ob-
livion to all around, they beat their breasts and
shout aloud their monotonous chant of ‘Ram, Ram,
Ganga Ji Ki Jai? — Ram, Ram, victory to Mother
Ganges! They look exactly as though they had just
risen from the dead and with the dust of the earth
clinging to them were passing before the judgment-
seat moaning for mercy. Seeing them thus in their
absolute degradation, it is hard to realize that they
are the embodiment of the ideal toward which all
true Hindus are striving.

Fakirs.

and perform the various ceremonial acts required
for this worship, such as touching the water to their
foreheads, lifting it in their hands toward the sun
as they repeat the formula of praise to Mother
Ganges, sinking under the water a certain number
of times, and finally drinking some of it. We also
saw many of them brushing their teeth with
river mud.

“When the ceremonial bathing is over, the fakirs
dash frantically out of the water and smear them-
selves afresh with dry sand which they have brought
in small bags for this purpose. When all are ready,
the trumpets blare, and they march back to their
quarters, making room for a new section at the
bathing-place. Deadly enmity exists between the
different sects, and to prevent fighting and even