Collection › The Lutheran Pioneer (St. Louis) › Vol. 31 (1909) › Page 20
The Lutheran Pioneer St. Louis — 1909, Page 20
front matter 1
Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18
Page 19
Page 20
Page 21
Page 22
Page 23
Page 24
Page 25
Page 26
Page 27
Page 28
Page 29
Page 30
Page 31
Page 32
Page 33
Page 34
Page 35
Page 36
Page 37
Page 38
Page 39
Page 40
Page 41
Page 42
Page 43
Page 44
Page 45
Page 46
Page 47
Page 48
Page 49
Page 50
Page 51
Page 52
Page 53
Page 54
Page 55
Page 56
Page 57
Page 58
Page 59
Page 60
Page 61
Page 62
Page 63
Page 64
Page 65
Page 66
Page 67
Page 68
Page 69
Page 70
Page 71
Page 72
Page 73
Page 74
Page 75
Page 76
Page 77
Page 78
Page 79
Page 80
Page 81
Page 82
Page 83
Page 84
Page 85
Page 86
Page 87
Page 88
Page 89
Page 90
Page 91
Page 92
Page 93
Page 94
Page 95
Page 96
Concordia Seminary Library, St. Louis (scholar.csl.edu/lutheran_pioneer/31)
⤓ Download page image (full resolution)
Transcription machine transcription, uncorrected
The Lutheran Pioneer.
He Died for Me.
‘When in Germany, writes a well-known traveler,
I visited the Dusseldorf Gallery, and my attention
was called to a painting which has touched many
hearts. Let me tell you about it.
First come with me and look at two paintings
— one of a wild gypsy girl and another of the Lord
Jesus — who gave Himself for us. The gypsy girl
lived the wild life of her tribe, and had been called
Day after day as this gypsy girl came into the
studio to have her picture painted, her eyes were
fixed upon this painting of Christ. As the last sit-
ting was over and she was about to leave the room,
she whispered: “Master, how can you help loving
Him who, you say, has died for you? If anybody
had loved me like that, oh, I’d like to die for him.”
And then with a sad heart she went back to her
people.
And the painter?
Ile was struck as with an
thy
oy
7A
Christ Crucified.
Oh teach me what it meaneth,
That cross uplifted high,
With One, the Man of Sorrows,
Condemned to bleed and die.
Teach me awhile to ponder
What human guilt hath done
To Thee, the King of Glory,
And God’s beloved Son.
in by Sternberg, a German painter, that he might
paint her pretty face. She had never been in an
artist’s studio before, and did not fail to notice on
the other side of the room an unfinished painting
of the crucifixion of our Lord. One day she asked,
“Master, who is that?”
“That is Jesus Christ, Son of Mary,” replied
the painter carelessly.
“But was He a bad man that they treated Him
so cruelly?”
_ “Oh, no! He was the best man that ever lived.”
“Tell me more about Him;” and so he did,
though unwilling to do so.
Oh teach me all their meaning —
Torn hands and thorn-clad brow;
And teach me why, with anguish,
Thy heart is breaking now.
Oh teach me what it cost Thee
To make a sinner whole;
And teach me, Savior, teach me
The value of a soul.
O Jesus, dear Redeemer,
| bring no other plea —
Because Thou dost invite me,
{ cast myself on Thee!
I know Thou wilt accept me
And wash me with Thy blood,
Which Thou didst shed for sinners,
Dear Jesus, Lamb of God!
arrow. God’s Spirit sent the words home to his
heart. He fell on his knees, and, covering his face
with his hands, confessed before God’s blessed Son
how for twenty-seven years he had neglected Him
and sinned against Him; and, looking for pardon
to the cross of Jesus, he gave his life to Him. Tis
heart was filled with new joy, and he then became
a worker for Christ. He put aside the half-finished
picture and began a. fresh one, with his heart full
of love towards that Savior who had died for him.
When the painting was finished, it was placed in
the gallery at Dusseldorf. Crowds came to gaze
upon it.